By
4 years ago
Persian rugs and chintz wallpaper at the ready
Between scenes of Lily James (Linda Radlett) and Emily Beecham (Fanny Logan) lolling on rattan sun loungers and flicking through Mrs Dalloway in giant clawfoot baths, it’s no wonder fashion and interiors lovers alike have been hooked on The Pursuit of Love.
The BBCs latest cut-glass accent romp, adapted from Nancy Mitford’s 1945 novel of the same name comes with an interior set design as romantic as the plotline – shifting languidly from sprawling Alconleigh, dolled up in faded aristocratic regalia, to the tailored formality of 1930s London to a frothy, french fancy of Parisian joie de vivre. With a design lessons in every frame, here’s how to get the look yourself. Persian rugs on the lawn and chintz wallpapers here we come…Â
Sign Up to The C&TH Interiors Newsletter
Lord Merlin’s bohemian home is interpreted with eccentric, Dali-like surreality. To get the look. Persian rugs are a must along with fringed lampshades and clusterings of objets d’art. Flamboyant exotic plants and floral arrangements all feature heavily, lending to the opulence and artistry of Lord Merlin’s residence.
ADVERTISEMENT
We can’t imagine Lord Merlin would stoop to anything as unimaginative as buying a rug new. This antique Persian has the elegantly washed-out palette favoured by the set design and you won’t see it in anywhere else.
Ourika London Arabella rug, ÂŁ950, ourikalondon.com
ADVERTISEMENT
One interiors moment we can’t stop thinking about is the Sevillian tiled bathroom from Alconleigh (a gorgeous cast iron bath doesn’t go amiss either). Despite Uncle Matthew’s vocal distaste for all things European, this design moment links the set beautifully to Linda Radlett’s imaginative nature, hinting at romantic faraway settings of Italy and Spain. A splash of energetic colour also cuts through the midst of Alconleigh’s sludgier, more muted palette.
You don’t have to restrict yourself to the bathroom to copy Alconleigh’s tiled walls. Cole & Son’s tile-effect Triana wallpaper updates a cloakroom, hallway or a feature alcove in a fraction of the time it would take to tile your entire bathroom.
Cole & Son Triana wallpaper, ÂŁ130 per roll, cole-and-son.com
ADVERTISEMENT
Though The Bolter (Emily Mortimer) doesn’t take to Fanny’s marital home, the idyllic Oxfordshire cottage she shares with her academic husband, Alfred, ticks all the right boxes for us. Ditzy, pretty patterns dominate, layered with ruffles of lace and simple furniture that can be dressed up or down according to mood. We’d move in in a heartbeat.
Ensemblier’s headboards could have been chosen directly from The Pursuit of Love’s set. To take the look one step further, paper the wall behind your bed with a matching pattern or hang a canopy in the same fabric.
Ensemblier Casati headboard, from ÂŁ2,235, ensemblierlondon.com
ADVERTISEMENT
Gayle Warwick’s hand embroidered bed sets would look as much at home in Fanny’s cottage as on a four poster in Alconleigh.
Gayle Warwick Sweetpea bedding, from ÂŁ150. gaylewarwick.com
‘Art first’ is a design principle which has been around for a while, as Mitford proves when the sole possession Linda takes with her to Cheyne Walk is a Renoir portrait of ‘a fat, tomato coloured bathing woman which Lord Merlin had given Linda to annoy the Kroesigs.’ Copy the colourful, impressionistic flair of Linda’s London residence (with perhaps a little less nude rooftop bathing) by starting with a piece of art that you love, and layering up your aesthetic around it, building on the colour palette with soft furnishings and fabrics.
ADVERTISEMENT
An affordable alternative to a Renoir nude (which are sold for somewhere in the region of ÂŁ55 million these days) is a print by Melbourne artist, Emma Currie. Use the colours and hues of your art as a starting point and reference for fabrics, accessories and soft furnishings.
Emma Currie Mediterranean Dream print, ÂŁ36, emma-currie.com
Not sure about all those tassels? The perfect nod to Linda’s collection of statement lamps is this simple yet impactful table lamp from Susie Atkinson.
Susie Atkinson Parson’s table lamp, ÂŁ1,400. susieatkinson.com
ADVERTISEMENT
Gilt, gold satin, flowers overspilling from mantlepieces and lashings of powder blue lend Linda’s Parisian residence the Marie Antoinette sensibility you would expect from the mistress of a French Duke. You don’t have to go all out to copy elements of this wedding cake decadence, a touch of gilding or unruly vase of roses goes a long way.
Graham & Green’s fanciful Bella Rose armchair is perfect for reclining on with a coupe of champagne and several armfuls of shopping. Just add a pile of satin cushions and a jaunty occasional table.
Graham & Green Bella Rose armchair, ÂŁ695, grahamandgreen.co.uk
ADVERTISEMENT
Gilt doesn’t always need to be overboard – this gilded leafy mirror from Anthropologie strikes the right balance for a hint of Parisian glamour.
Hannah mirror, from ÂŁ78, anthropologie.com
With art crowding in every corner, Lord Merlin’s bohemian home is deliciously interpreted with Dali-like surreality. If you want to create a room fit for the Bright Young Things (or the 2021 equivalent), Persian rugs are a must along with fringed lampshades and clusterings of objets d’art. Lord Merlin must be a bit of a traditionalist, because the background palette is all classic pastel blues and original alabaster Georgian ceiling mouldings. Flamboyant exotic plants and floral arrangements feature heavily, lending to the opulence and artistry of Lord Merlin’s residence.
© BBC. Photographer: Robert Viglasky
One interiors moment we can’t stop thinking about is the Sevillian tiles in Alconleigh’s vast bathroom (a gorgeous clawfoot bath, if you have one, doesn’t go amiss either). Despite Uncle Matthew’s vocal distaste for all things European, this design moment links the set beautifully to Linda’s imaginative nature, hinting at romantic faraway settings of Italy and Spain. A splash of zesty lemon yellows and cobalt blue also cuts through the midst of Alconleigh’s sludgier, more muted palette.
10 Pink Wallpaper’s We’re Loving
© BBC. Photographer: Robert Viglasky
Though The Bolter (Emily Mortimer) doesn’t take to Fanny’s marital home, the idyllic Oxfordshire cottage she shares with her academic husband, Alfred, ticks all the right boxes for us. Ditzy, pretty patterns dominate, layered with ruffles of lace and simple furniture that can be dressed up or down according to mood. We’d move in in a heartbeat.
© BBC. Photographer: Robert Viglasky
‘Art first’ is a design principle which has been around for a while, as Mitford proves when the sole possession Linda takes with her to Cheyne Walk is a Renoir portrait of ‘a fat, tomato coloured bathing woman which Lord Merlin had given Linda to annoy the Kroesigs.’
Copy the colourful, impressionistic flair of Linda’s London residence (with perhaps a little less nude rooftop bathing) by starting with a piece of art that you love, and layering up your aesthetic around it, building on the colour palette with soft furnishings and fabrics.
© BBC. Photographer: Robert Viglasky
Gilt, gold satin, flowers overspilling from flowers and lashings of powder blue lend Linda’s Parisian residence exactly the Marie Antoinette sensibility you would expect from the mistress of a French Duke. You don’t have to go all out to copy elements of this wedding cake decadence – a touch of gilding or unruly vase of roses sprawling over the mantlepiece goes a long way. TrĂ©s chic.Â
How to Style Your Home Like a Parisian / The 50 Best Interior Designers in The UK / Bridgerton-Inspired Pastel Interiors
